《回到福山市》由中本悠執導，以廣島縣福山市為舞台，透過偽紀錄片拍攝手法，描寫一場原本平凡的城市觀光宣傳拍攝，如何一步步演變成無法收拾的暴力災難。電影融合黑色幽默、驚悚與諷刺元素，打造出令人哭笑不得的混亂故事。
Directed by Yu Nakamoto, Back to Fukuyama transforms a seemingly ordinary tourism promotional shoot into a wildly unpredictable mockumentary thriller. Mixing dark comedy, violence, and satire, the film reveals how a series of small mistakes can spiral into complete and bloody chaos.
電影內容
《回到福山市》是一部結合偽紀錄片、黑色喜劇、暴力驚悚與社會諷刺元素的電影，以廣島縣福山市為故事舞台，從一場看似平凡的城市宣傳企劃開始，逐漸演變成失控的災難事件。故事講述資深影像導演高橋茂雄受委託拍攝福山市觀光宣傳影片，希望透過鏡頭展現當地的人文景觀、歷史文化與旅遊魅力。他帶領剛加入團隊的新人助理導演杉本麥卡以及攝影團隊，展開為期三天兩夜的拍攝工作，一切原本按照計畫進行。然而，拍攝開始不久便發生意外，負責接待與協調工作的市政府人員突然失去意識，使整個製作流程瞬間陷入混亂。為了避免計畫中止，高橋決定隱瞞真相，臨時安排新人假扮對方繼續完成拍攝。沒想到，一個謊言引發另一個謊言，接踵而來的意外不斷擴大，就連象徵福山市形象的吉祥物工作人員也意外倒下，令整個拍攝現場完全失去控制。為了掩飾接連發生的事故，劇組只能不停 improvisation，利用各種荒謬方式試圖維持正常拍攝，但每一次補救都造成更大的混亂。原本充滿和平與觀光氣息的小鎮，逐漸變成充滿追逐、打鬥、流血與失控局面的混亂現場。電影透過手持攝影、現場採訪、幕後紀錄與即時拍攝等偽紀錄片風格，使觀眾彷彿親眼目睹整場事件一步步惡化，也讓荒唐劇情更具真實感。除了娛樂效果之外，作品亦諷刺現代影像產業、地方觀光宣傳、公關危機處理以及人們為了維持表面形象而不斷說謊的現象。每個角色都試圖掩蓋錯誤，卻讓事件變得更加不可收拾，形成一場由小失誤引爆的大規模連鎖災難。《回到福山市》以誇張節奏、黑色幽默與暴力美學，打造出一部充滿諷刺意味又令人緊張不已的娛樂作品，在笑聲與混亂之間展現人性的荒謬與現代社會的失序。
English Version
Back to Fukuyama is a mockumentary thriller that combines dark comedy, violent action, and social satire within the setting of a seemingly ordinary tourism campaign. The story follows veteran video director Shigeo Takahashi, who is hired to produce an official promotional film showcasing the attractions of Fukuyama City in Hiroshima Prefecture. Joined by rookie assistant director Maika Sugimoto and a small production crew, he begins what is expected to be a routine three-day location shoot highlighting local culture, historical landmarks, and scenic destinations. However, almost immediately after production begins, an unexpected accident leaves the city’s project coordinator unconscious, throwing the entire schedule into confusion. Afraid that the production will be canceled, Takahashi makes a reckless decision to conceal the truth by having his inexperienced assistant secretly impersonate the missing official. What begins as a desperate attempt to save the project quickly develops into a chain reaction of increasingly ridiculous disasters. Additional accidents occur one after another, including an incident involving the city’s beloved mascot performer, forcing the crew to invent ever more elaborate lies to keep filming alive. Every attempt to cover up the previous mistake only creates larger problems, gradually transforming the peaceful tourist destination into a scene of violent confrontations, injuries, and uncontrollable chaos. Presented through handheld cameras, behind-the-scenes footage, interviews, and documentary-style cinematography, the film blurs the boundary between fiction and reality, making its outrageous situations feel surprisingly believable. Beneath its exaggerated violence and absurd comedy lies a sharp critique of media production, public relations, image management, and the pressure to maintain appearances regardless of the consequences. As deception spirals beyond anyone’s control, every character becomes trapped inside an increasingly impossible situation where honesty arrives far too late. Balancing energetic pacing with satirical humor and unpredictable action, Back to Fukuyama delivers an entertaining blend of mockumentary filmmaking and thriller storytelling while exposing the fragile nature of carefully constructed public images.
影片簡介（預告片／片段）
中文： 一場觀光宣傳拍攝，竟因接連謊言演變成血腥失控的大混戰。
English: A simple tourism shoot spirals into a bloody mockumentary nightmare fueled by lies and chaos.
電影資料
導演： 中本悠（ナカモトユウ）
類型： 偽紀錄片、暴力驚悚、黑色喜劇
製片公司： 暫未公布
上映年份： 2025
主要演員
- 大迫茂生
- 青島心
總結
《回到福山市》利用偽紀錄片的真實感，結合黑色幽默與暴力驚悚，不僅帶來節奏緊湊的娛樂效果，也巧妙諷刺地方宣傳、影像製作與危機處理文化。對喜歡《辦公室》、《攝影機別停！》等充滿荒誕感與紀錄片風格作品的觀眾而言，本片是一部兼具笑料與張力的另類日本電影。
Conclusion
Back to Fukuyama cleverly blends mockumentary realism with outrageous comedy and escalating violence. Beyond its entertaining chaos, the film offers a witty commentary on image management, filmmaking, and the unpredictable consequences of covering up mistakes, making it a memorable addition to Japan’s growing collection of unconventional genre cinema.
